The performance ultimately aims to introduce some of the ideas and materials we engage with in “Brutology”: a constellation of ghosts, cosmonauts, rituals, inflatable buildings, and nebulous architectures that we associate with the contradictory aspect of Brutalism between materiality and spirituality.
Following our research on online formats, we would like to develop new pathways for multimedia and digital performances, focusing on online perception and attention, and proposing new ways of engagement to facilitate the experience of an ubiquitous community.
In addition, we would like to incorporate our recent research on video performances to propose an online work that challenges the live and streaming dimension with pre-recorded images and interprets the online (video) experience as a “time-shaping machine” (Tarkowski).
“Brutology. An Online Road Movie” is also intended as a performative introduction to a site-specific upcoming work (as part of Emscherkunstweg and FFT Düsseldorf): “Brutology”.